I don’t know when I turned a corner and started reading books with my “writer hat” on.
You know what I mean: The moment you change from a passive reader to an active one. When you’re no longer escaping when you pick up a book, you’re analyzing. Instead of holding a cup of tea (or coffee, if you so choose) with your free, non-book-wielding hand, you’re holding a pen to mark notes, scribble and underline within passages. Here’s what I look for, as an aspiring author, when I read books.
Tone comes across immediately. It’s more of a feeling than anything I can pinpoint–I’m just immersed. It’s like swagger; you know it when you see it. When I see it, read it, feel it, I want to emulate it in my own writing. Example: My Brilliant Friend, Elena Ferrante.
I love dialogue. This is why I have half-written scripts collecting electronic dust. And it’s why I love movies. I know dialogue is good when I can imagine it playing before me like a film. Example: One Day, David Nicholls.
When a book is not going too slow, nor too fast, I note the pacing. It dives into details when needed and trims the fat at the right times. I don’t walk away feeling like pockets of the plot are missing. Example: Cutting for Stone, Abraham Verghese.
I’m not usually a fan of long books. I blame it on graduate school, where I had to read Mason & Dixon. I’m more impressed by a book that is compact and concise but still leaves me feeling full as a tick. Example: The Bluest Eye, Toni Morrison.
This is when the sights, sounds and tastes throw me out of reality–and I have to look out the nearest window to remind myself where I am. Example: Faith for Beginners, Aaron Hamburger.
There are a million great examples for each of these. Which ones have inspired you?